Birzhan Kabylbaev in the concert "The Right Man" discusses modern masculinity as if someone inadvertently turned on the light in the hallway in the common kitchen. Here is paranoia about walls that are too thin, and attempts to survive in a multinational marriage without breaking commonplace cynicism.
His observations are the tired irony of adulthood, where being beautiful is more dangerous than going bald by thirty. Kabylbaev deftly finds meaning in everyday discomforts and cultural distortions, recognizing between the lines that even love and jealousy already require instructions for use.
