The family in an era of endless contradictions is more of a post-apocalypse with orphanages and pornography in the background, where love and violence intertwine in an absurd dance. The humorist reflects on childhood as a zone of constant fear and control, adulthood that never comes, and how the ideals and reality of love are shattered by everyday life and social norms. All this weariness of life and politics, mixed with irony and cynicism, reminds us that freedom is not always a choice, but rather a meaningless game of "folderol" in a world where even protests become a farce.
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