Ulyana Krasilnikova is not looking for easy topics: in her concerts the reliable salvation of an introvert is not noise, but self-irony, irony and, if anything, a bit of boxing. A city where every second stand-up comedian is a "Dancing by the Fire" and every third is a microloan specialist from the "azempika" era.
The cornerstone of creativity is observation: a subtle and wicked look at Moscow reality, where between hypocrisy, sociophobia and Kia Rio advertising one can guess weak attempts to remain oneself. Everything else is noise and details, which Ulyana treats with the same cynical calmness available to people with the maximum degree of insecurity and the minimum level of trust in the world around them.
